On Perception:
I worked on this
drawing series
during the pan-
demic in 2020.
It continued my
ongoing art prac-
tice, but with a
deeper focus on
body knowledge in
relation to the dig-
ital realm — spe-
cifically, how we
perceive perfor-
mance and cine-
ma through the 2D
screen. During this
time, I was also
in conversation
with two fellow
artists, Emilia and
Janine, and these
exchanges shaped
the way I explored
perception and
presence within
digital spaces.Me
Material: chalk
Pastil color; ink on
cartons 300g.
Dymintion: A4, A1;
A2.
selcted referances
of Films & perfor-
mances:
Shirin Neshat_
Roja,
Anne Teresa De
Keersmaeke_Ro-
sas Danct Rosas,
Trisha Brown_
Leaning Duets.
1970, Martha Ro-
sler _Semiotic of
the Kitchen, Hito
Steyerl _How Not
to Be Seen!,
Hito steyerl _Being
Invisible Can Be
Deadly, TateShots.
Julian Rosefeldt_
In the Land of
Drought.
Laura Horelli_
Morgan Dews,
must read after
my death. Vriginia
Woolf_Orlando,
Wernner Herzog,
Eats His Shoe.
Acknowledgment:
Veronika Dirnhofer
Janine Mucker-
mann Emilia Licht-
enwagner.
Photos:
a selection of the
documentation of
exhibition views
during the
pandemic —
a space curated
by Veronika Dirn-
hofer.
© Drawing Class
Akbild
